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Codex – Artist in Residence Series: Alfonse Borysewicz

Editor’s note: This post is the fifth in a series from our “Artists in Residence,” and the second from Alfonse Borysewicz (see his first...

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Review: Titian: His Life

 Sheila Hale, Titian: His Life. London: HarperPress, 2012, xxi + 832 pp., £30/ $39.99 hardback. Sheila Hale begins the introduction of her tome on the life...

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Contemporary Confessions: Hozier’s Ecclesiastical Confusion

“But in this lay my sin: that I sought pleasure, nobility, and truth not in God but in the beings He created, myself, and...

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A Lenten Journey: Poetic Reflections pt. 1

This week Transpositions is honored to feature a series of collaborative meditations on the events of Lent by drawing together the poetry of Gerald St....

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A Lenten Journey: Poetic Reflections pt. 2

This is the second of a three-part collaborative series featuring the poetry of Gerald St. Maur and the photography of Rev. Thomas Brauer.  Mother Mary...

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A Lenten Journey: Poetic Reflections pt. 3

The Third Fall But crowds grow impatient with pause, their power lost in the irritant of reflection. A clenched fist thrust in His face...

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A Lenten Journey: He is Risen!

This is the final post of a collaborative series, A Lenten Journey: Poetic Reflections, featuring the poetry of Gerald St. Maur alongside the photography of...

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Resurrecting the Country Priest: Approaching the Parish in Film and Literature

The shepherd’s brow, fronting forked lightning, owns The horror and the havoc and the glory Of it…. —G. M. Hopkins, ‘The Shepherd’s Brow,’ 1918....

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Let There Be Rock: The Strange Poetics of Richard Dawkins’ Rock Opera

It is perhaps one of the more immediately striking partnerships in the history of music. On one side we have Tuomas Holopainen, pianist and...

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Poetry: Two New Poems from Malcolm Guite

Transpositions is excited to provide a platform for established as well as upcoming poets whose work pushes forward our own collective interest in the areas of theology,...

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Millennial Christians and the Post-Evangelical Love for Sufjan Stevens

As early as 2005, the Los Angeles Times was announcing the arrival of a new generation of musicians whose preference for introversion over boisterous ego and overwrought sexuality...

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Poetry: Tim Bartel

The following two poems were written as part of a project exploring the possibilities of employing iambic pentameter  – that worn, old meter perfected...

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Call for Scores: Contribute to Theoartistry Composers Scheme

ITIA (the Institute for Theology, Imagination and the Arts, University of St Andrews) is delighted to present the opportunity to work with Sir James MacMillan...

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Setting Fire to Music

On a cold, bright day in November, I stepped into the Senate Room at the University of St Andrews to participate in my first...

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Reflections on Art at Chichester Cathedral: Two takes on the Baptism of Christ

Chichester Cathedral houses two 20th paintings of the Baptism of Christ[1]: one by Hans Feibusch (1951/77) in the Baptistery, the other by Patrick Procktor...

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Review: Modern Art and the Life of a Culture

Jonathan A. Anderson and William A. Dyrness. Modern Art and the Life of a Culture: The Religious Impulses of Modernism. Downers Grove, Illinois: IVP...

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James MacMillan, ‘A New Song’: Silence, Anticipation, and the Incomplete

Editor’s Note: As part of our monthly focus on the TheoArtistry project and its collaboration with Sir James MacMillan, we offer another insightful article...

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Featured Artist: Nicholas Mynheer

A sacred artist whose work graces churches and homes throughout his native England, Nicholas Mynheer (pronounced MY-neer) works in paint, glass, and stone. He...

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Resurrecting the Country Priest: Approaching the Parish in Film and Literature

The shepherd’s brow, fronting forked lightning, owns The horror and the havoc and the glory Of it…. —G. M. Hopkins, ‘The Shepherd’s Brow,’ 1918....

View Article

Featured Artist: Nicholas Mynheer

A sacred artist whose work graces churches and homes throughout his native England, Nicholas Mynheer (pronounced MY-neer) works in paint, glass, and stone. He...

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